Hip hop music and the forging of civic bonds among minority youth in Norway
A vast body of research documents that media coverage of ethnic minorities in Norway is systematically imbalanced and problem oriented, which in turn engenders a sense of exclusion. At the same time, hip hop music and artists are today regular fixtures in various media formats, and a genre that comprises a number of prominent performers of multi-cultural background.
Set against the backdrop of the exclusionary effects of news media representations, this interview study of a group of minority youth makes evident that mass mediated hip hop music is for them taken to entail public representation of minority experiences and sensibilities that engender a sense of democratic inclusion.
By combining recognition theory and reception theory, Nærland shows how hip hop-related media coverage is experienced to involve a positive affirmation of minority identity that also contributes to the formation of civic identity and affinities. The study argues that musical media events constitute ‘moments of recognition’ where dynamics of recognition is intensified.
Nærland further argues that recognition theory makes up a valuable supplementary framework for our theoretical understanding of the civic dimensions of media reception, and the role of popular music therein.
Welcome! A light lunch will be served.
About the Seminar series:
Debating the current refugee crisis in Europe
The IMER Bergen Seminar series for the spring of 2016 will discuss a wide range of responses in the wake of the current migration crisis. How can the theoretical and empirical research currently being conducted on migration, ethnic relations, peace and conflict contribute to understanding the multi-faceted landscape of politics, boundaries and everyday lives of the refugee crisis?